Circuit Sweets Rad Releases of 11’ Tera Melos’ Nick Reinhart’s Top 5 

@Sargent House showing my photography some xmas love. Thanks!

sargenthouse:


Rad Releases ‘11- Tera Melos

Continuing our Rad Releases feature is a band who have not only made our year here at Circuit Sweet but also been a regularly featured band throughout the past 12 months. We have the honor in speaking to Tera Melos to find out their top releases.

In June of this year Circuit Sweet had the honour of meeting Nick Reinhart after witnessing a tight engaging rapture bringing set from Tera Melos and being a part of their long overdue UK tour.

Following this we then had the privilege of getting even closer to Tera Melos; finding about influences, their live shows, highlights of their recent tour, their album, abominations and audio appeal in an interview with Nick Reinhart.  
The trio have had a very intense and incredible year touring. Earlier this year Sargent House also announced the first ever pressing on vinyl of the very first ever album by the band. It never had a name, it’s often referred to as The Melody’s , Untitled or Tera Melos but none of those are actually its name it simply does not have one. 

We catch up with Nick again to find out his favourites of the year.

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judasbemyguide asked "Hey Man ;D What's your opinion on the Orange Tiny Terror? Also; what would you recommend for an Orange set-up for bedroom level or band rehearsals :D Thanks"

Hey man, thanks for your question. I love the Orange dual terror and especially the new Dark Terror which has a lot higher gain but  does clean up nicely. You could gig with the terror series mic’ed up even though it is small in size.

The Orange PPC Cabs are excellent. I would recommend the open back 2x12 version as it is cheaper and sounds nicer on the cleans. If you get a 2x12 it is big enough to gig with and small enough to rehearse with so you get the best of both.

So I think the best would be an Orange Dark Terror and matching PPCOB 2x12 cab. If you don’t need the gain though the dual terror would be the boy!

Hope this helped!

Circuit Sweet: Circuit Sweet Exclusive: Tera Melos - MY PHOTOGRAPHY. Interview + Feature »

circuitsweet:

Our interview also featured on Tera Melos’ site-

teramelos1:


We previously featured a live review on the enigmatic Sacramento based 3 piece Tera Melos during their first UK tour in June.

Finally overcoming years of obstacles, unforeseen complications and issues in…

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Marshall 100W Super Lead MKII Re-Issue + Marshall Power brake.

Anyone who knows me on a personal level will know I dislike Marshall amps. Years of people showing up to shows with HDFX combos has really taken it’s toll on my ears and my patience. There are only 3 exceptions. JMP, JCM800 and the Super Bass/Lead.

I have been very busy musically over the last few months and in that time I have managed to kill 3 valve amps. Left with few options I had to borrow my producers (Jon Marsh @ Shed Studios) Marshall 100w Super Lead and under his instruction the matching “Power Brake” for my ears sake! These things push some serious air.

With only a 6 part EQ it is stripped down in comparison to the new Marshall JVM’s (Awful) and the 2 channels with High and Low inputs show off the vintage simplicity. This is all power. Bridging the inputs with a patch lead offers the mixed tonal characteristics of both channels. Another interesting feature is that if you turn a pot up to 10 it removes it from the circuit for purer tones.

As for sound: classic British power. All balls, no messing around. This is an amp that was meant for a Gibson, there is no denying it. With a tele it was flappy and weak. With an LP it was a purist crunch tone. I found when rehearsing and using the “Power Brake” the low end was just sucked right out of the amp. I was concerned at one point that the fan was not turning on the unit and I had blown it but the fan actually spins faster the harder you play. This is due to more energy being dispersed via the unit. I rarely used it though as in the studio I had chance to really tear it up and push it in the way it was made for.

There are many arguments popping up recently about the need for a 100W amp. I have a 135W Matamp and a 36W Dr Z and I use them side by side as a clean and dirty and love it. The main problem with having such a powerful amp is that to get a natural crunch and battle past the vast amounts of clean headroom you have to dime it and deafen the front row. The lower wattage amps break up at lower volumes which seem to win most arguments. The way I see it though, when you get to stand in front of a full stack, you can never beat the feeling of all that power hitting you in the back.

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"The feeling you get when you find the perfect chord progression or harmony after spending hours on a “school night” trying to give the next breath of life to a song that doesn’t want to be born. Then I realize “there is still hope”. I have faith, I hope, I have love. I can concur it. Yet there will always be “dickheads”. Fuck fashion, fuck karaoke and fuck any little keyboard warrior that takes offense to my thoughts and tries to give me their piece of mind whilst behind the comforting shield of their computer screen. Music is for musicians, I will always be one. I just hope the music industry goes back to supporting their own kind."

Simon “Gorey” Gore - The Peppermint Hunting Lodge.

http://beatreview.com/article/peppermint-hunting-lodge-1

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circuitsweet:

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Line6 FM4 Filter Modeller

The Line6 Filter Modeller has become kind of iconic in it’s own right. A firm favorite amongst artists such as The Locust, Thomas Erak and Omar Rodriguez Lopez the FM4 (now discontinued) is set to become a collectable classic. The M4 series had the best intentions to save the time, effort and money of controlling multiple and mostly unreliable vintage equipment and combining the best of them into one unit.These include:

• Tron Down - Mutron III.
• Tron Up - Mutron III.
• Seeker - ZVEX Seek-Wah.
• Obi-Wah - Oberheim Voltage Controlled Filter.
• Voice Box - Mix of voice boxes.
• V-Tron - VoiceBox+Mutron III.
• Throbber - Electrix Filter Factory.
• Spin Cycle - Craig Anderton’s Wah/Anti-Wah.
• Comet Trails - Line6.
• Slow Filter - Line6.
• Octisynth - Line6.
• Synth-O-Matic - Moog Modular, Oberhiem Synthesizer Expander Module, Sequential Circuits Prophet 600, Arp Explorer-I Model 2900, and Studio Electronics SE-1.
• Attack Synth - Korg X911 Guitar Synth.
• Sytnh String - Roland GR700 Guitar Synth.
• Growler - Roland GR700 + Mu-Tron III.
• Q Filter - Line6.

There is a lot to choose from but as you can imagine some of it is junk. With the M4 series you can save presets. Thank God. These pedals can be very volatile and temperamental. The FM4 holds 4 presets as it does not have need for a tap tempo which is very cool for on the fly use - especially if one of your presets is aggressive and another one subtle. This pedal is for you if you want weird. There are a lot of proggy, unconventional sounds but some very useable ones too. Definite highlights: Seeker, Throbber, Commet Trails and The Growler.

The issues with these pedals are the same as all the M4 pedals. There is usually a volume drop when engaging the unit. The switches are cheap, a common modification is to change them. They also rest on the circuit board which means if you are heavy footed then you are going to destroy it. Specifically to the FM4, the MIX control is weak and works best at 100%. Overall you are getting a lot for the issues. All the best of these effects are included in the M9 so only from a collectors I would recommend this (I sold it down the river after M9) but be weary of volume drops!

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I have made my living space more functional for working in 2 bands and home recording. As you can see I have acquired quite a few things I am yet to write about. I am going to write up a bit about different valves too as I have found a box full! Stay tuned.

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My Dr Z is in the shop for a re-valve. I found this photo and have this strange longing to play it. Sad times. When I get it back I might do a soundcloud demo as it truly is the bread and butter of my daily guitar setup.

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I AM SO STOKED! MY PHOTOGRAPHY! Circuit Sweet Live Review : Tera Melos @ HMV Institute Birmingham UK

sargenthouse:


Tera Melos, the Sacramento based three piece have built up more than a reputation for themselves in the 7 attentive years their name has been known. The band have been pushing their creativity, rightfully gaining the success they deserve following their formation in 2004; after the disbandment of Nick Reinhart and Nathan Latonas’ former outfit - No Regard. A year of intense rehearsals before the band stepped into the limelight for their live debut must feel like a lifetime ago for the original members. 1 Split, 5 EP’s and 3 Albums later the reputable band are currently signed to Sargent House and have finally embarked on their first UK tour. 

Tera Melos kick started their tour playing the notorious Forbidden Fruit Festival in Dublin, followed by live appearances in London, Brighton, Bristol, Manchester and Nottingham. Saturday 11th June-the half way mark of the Band’s UK leg- The HMV Institute Birmingham opened its doors to the iconic band; or more so Stone Cold Jane Austen (a new Birmingham based promoter) allowed the doors to be opened for what was an incredible night.

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